StoryFrame
  • Home
  • Blog
    • Commercial
    • Documentary
    • Guides
    • Update
  • About / Contact

Popular Posts

Vincent Urban: From small scale snowboarding videos to big commercial projects with Lufthansa
Commercial, Documentary,

Vincent Urban: From small scale snowboarding videos to big commercial projects with Lufthansa

by MartinOctober 1, 20171 comment
Max Neumeier: From Skateboarding Movies to international brand films
Commercial, Documentary,

Max Neumeier: From Skateboarding Movies to international brand films

by MartinOctober 21, 20172 comments
Syd Field’s Paradigm: Story Structure For The Moving Picture
Guides,

Syd Field’s Paradigm: Story Structure For The Moving Picture

by Shy G.January 1, 2018no comment
One Story to rule them all: The Hero’s Journey
Guides,

One Story to rule them all: The Hero’s Journey

by MartinAugust 25, 2017no comment
StoryFrame
  • Home
  • Blog
    • Commercial
    • Documentary
    • Guides
    • Update
  • About / Contact
Documentary,

Justin Stoneham: Do Something You Care About

Gear used on this film: Blackmagic URSA Mini

Where are you based and how did you first get into this line of work?

I’m based in Zürich, Switzerland. But I grew up in Lucerne, which is an hour train ride away.

Justin Stoneham

It’s also where my latest documentary Rewind Forward mainly plays at.

How did you come up with the REWIND FORWARD project?

There were many circumstances that made me do this film. But I think the initial idea came to me after I found a box full of old VHS tapes that contained 20 years of footage filmed by my father. In the beginning, it felt like I had to finish something that he had started. But within the process we soon realised, that it would develop into an encounter between my mother and me—now and then.

Pitching was not easy. Because my film is a very personal story it felt like I’m selling my own life as a drama. But the decision of making a film based on my own story allowed me to look at it as a professional stepping stone and helped me to push through with it until the end. And I’m glad I did.

What gear/cameras did you use and why?

We shot on a Blackmagic URSA Mini. I knew our main  shooting location would be the nursing home where my mother lives. This meant clean, cold and not very aesthetic interiors.  Also we had to work with a lot of existing light. This camera provided us with the most cinematic image possible within our budget.

Did you plan out the story structure from the beginning or did it come out in post?

Of course I’ve had a structure  in my mind. But with my mother’s condition, I wasn’t sure how far we could go and how she would react. So it was a bit of a gamble. But fortunately I soon realized, that she was totally focused and sometimes even more in control than I was.

Also I already had around 30 hours of my fathers footage which I had studied beforehand. This also gave me a timeline and was the basis of the film structure. But in the end it was eight weeks of soul crushing editing in order to tie everything together.

What do you do differently from other filmmakers?

That I don’t know. I can only say what others do differently and learn from them. So I prefer to leave analysing my work to others.

What has been the hardest part of doing what you do?

I think the decision of bringing myself in as a main character was the most challenging. But with such a personal film and the many people involved it became clear that I had to tell the story from my point of view. Also it was very hard to keep track of the very thin line between personal and private.

What is currently the best part of doing what you do?

Doing something I care about.

What are some of your favorite stories or web videos that you’ve gotten inspired by?

The film « Beyond This Place» of Kaleo La Belle who later joined me as a co-writer and producer in Rewind Forward was surely a film who inspired me to do mine.

Where can people follow your work?

I have a website www.justinstoneham.com. I’m working on a new one. But this will do until then.

I’m also on Instagram and Vimeo.

MasterShots








Related posts

Documentary,

Jeff Bednarz: Yell, scream, dance, let everyone involved know it’s okay to be themselves.

Documentary,

Alex Lockwood: Don’t let the fear of making bad films get in the way of you even trying.

How to start a video production company and get your first client

Start a video production company and use your gift of filmmaking to make a living.

We cover the essential gear you need to get started, how to get clients coming to you and how to start building a portfolio you can be proud of.  We also include the step-by-step sales methods that are making the filmmakers of storyframe $10.000+ per film.

Includes 6x worksheets, 12x videos and 3x exclusive interviews with video production company owners.

You have Successfully Subscribed!

Your info will never be shared with anyone. We hate spammers as much as you do.

Most Popular:

  • Vincent Urban: From small scale snowboarding videos to big commercial projects with Lufthansa

    Vincent Urban: From small scale snowboarding videos to big commercial projects with Lufthansa

    October 1, 2017
  • Max Neumeier: From Skateboarding Movies to international brand films

    Max Neumeier: From Skateboarding Movies to international brand films

    October 21, 2017

© 2017 StoryFrame. All rights reserved.
We sometimes compensation from the companies whose products we review. We are independently owned and the opinions expressed here are our own.